Scerry Christmas! This year, we are discussing the legendary Red Dead Redemption DLC, Undead Nightmare. In part two, with help from West Dickens, John find his way to Mexico where he allies with Mother Superior Calderon, helping her perform tests on the undead. In this episode, we dig into Mother Superior's insightful quote and are not surprised to hear "National Gigolo" Abraham Reyes is involved in all this. Also, WHY did West Dickens do that?! 👅
Don't forget to watch or play along - gameplay is posted weekly on our YouTube channel! We'll continue to play Undead Nightmare and analyze it in our podcast - watch or play along and join us for Scerry Christmas as John fights to solve this unsettling mystery.
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00:00:00 --> 00:00:03 Merry Christmas. Yes. Merry Christmas. Scary
00:00:03 --> 00:00:08 Christmas Day. Finishing out Undead Nightmare.
00:00:08 --> 00:00:11 I enjoyed the heck out of this. I just want to
00:00:11 --> 00:00:15 play it again already. It's pretty good. I wouldn't
00:00:15 --> 00:00:18 even say it's a horror game. It's just a really
00:00:18 --> 00:00:22 fun game with some spooky bits to it. In this
00:00:22 --> 00:00:26 episode, this man is in love with dynamite and
00:00:26 --> 00:00:33 bleh bleh bleh. Thank you for coming back from
00:00:33 --> 00:00:35 our replay reviews. My name is Leah. And my name
00:00:35 --> 00:00:37 is Kathy. We are two friends who are here to
00:00:37 --> 00:00:40 replay, review, and analyze your favorite video
00:00:40 --> 00:00:42 games. And since Kathy has never seen the games
00:00:42 --> 00:00:44 before, it helps me view them through her fresh
00:00:44 --> 00:00:46 eyes, almost like I'm discovering them again
00:00:46 --> 00:00:49 for the first time. We hope it will be a similar
00:00:49 --> 00:00:58 experience for you. So John finds Wes Dickens
00:00:58 --> 00:01:01 again. who tells him that the border to Mexico
00:01:01 --> 00:01:04 is closed, that there's an army train headed
00:01:04 --> 00:01:07 there, and he's set up this whole thing for John
00:01:07 --> 00:01:09 to get a uniform with some deserted soldiers.
00:01:10 --> 00:01:12 I have to say, I kind of appreciate the work
00:01:12 --> 00:01:16 that Wes Dickens put into this for John. I agree,
00:01:16 --> 00:01:20 but I also think a lot of it is pretty selfish,
00:01:20 --> 00:01:24 that if John is able to do what he needs to do,
00:01:24 --> 00:01:27 then he has a better chance of survival. He's
00:01:27 --> 00:01:29 not going to Mexico anymore is what I don't understand.
00:01:30 --> 00:01:32 I don't remember why he changed his mind, but
00:01:32 --> 00:01:35 he says he's going to Baghdad or maybe Fort Mercer,
00:01:36 --> 00:01:38 which I'm also confused because didn't he just
00:01:38 --> 00:01:40 get run out of Fort Mercer? He's probably going
00:01:40 --> 00:01:43 to try a new identity. Or maybe his elixir is
00:01:43 --> 00:01:45 now a roofie and he's going to make everyone
00:01:45 --> 00:01:48 forget they kicked him out. Well, anyway, legendary
00:01:48 --> 00:01:51 moment at the end of this, when Wes Dickens walks
00:01:51 --> 00:01:53 away, he's like talking about where he's going.
00:01:53 --> 00:01:55 And he's like, well, that is if I don't turn
00:01:55 --> 00:01:57 into a zombie. And then he says something along
00:01:57 --> 00:02:00 the lines of eating flesh and drinking human
00:02:00 --> 00:02:04 blood. But he extends the blood into a weird
00:02:04 --> 00:02:06 little tongue wiggle. So he goes drinking human
00:02:06 --> 00:02:13 blood. Or perhaps it's time to meet my maker
00:02:13 --> 00:02:16 with drool coming out of my mouth and a lust
00:02:16 --> 00:02:23 for human blood. So unnecessary, uncalled for,
00:02:23 --> 00:02:28 but. It gets John a real laugh. It's so good,
00:02:28 --> 00:02:30 though. We had to rewatch it like three times.
00:02:31 --> 00:02:34 So John acquires the army uniform, then hitches
00:02:34 --> 00:02:38 a ride on the train. But the train stops to clear
00:02:38 --> 00:02:42 some blockage on the tracks. Who put these blocks
00:02:42 --> 00:02:47 on? And how? They had to haul it from somewhere
00:02:47 --> 00:02:50 to bring it in. It's... Pretty intentional. It's
00:02:50 --> 00:02:53 not like it's just tree stumps and branches.
00:02:53 --> 00:02:56 It's heavy stuff. Or maybe that's just how they
00:02:56 --> 00:02:59 closed the border back in the day. Just put crates
00:02:59 --> 00:03:02 on the train tracks. The army men run off when
00:03:02 --> 00:03:06 they're attacked by zombies. So John just decides,
00:03:06 --> 00:03:08 hey, I'm going to crash this train through all
00:03:08 --> 00:03:11 the barricades. Which made the aforementioned
00:03:11 --> 00:03:14 parts unnecessary to try to haul and move them.
00:03:14 --> 00:03:17 We're in Mexico. John rides to Las Hermanas.
00:03:18 --> 00:03:20 where we see Sister Calderon, now Mother Superior.
00:03:21 --> 00:03:24 She's fighting off a zombie. Why is she alone?
00:03:24 --> 00:03:27 How is she alive? Yeah, why is she out there
00:03:27 --> 00:03:32 and all of the nuns are locked inside? But also,
00:03:32 --> 00:03:34 you had the question, is this the nun from the
00:03:34 --> 00:03:37 Stranger Mission? And it is. And this will not
00:03:37 --> 00:03:41 be the last time we see this nun. That's my little
00:03:41 --> 00:03:44 nugget for you. But yes, she asks John to please
00:03:44 --> 00:03:47 rescue the nuns that are inside the monastery.
00:03:47 --> 00:03:51 And he does. Okay, but before he went in there,
00:03:51 --> 00:03:54 there's a line I really want to dissect with
00:03:54 --> 00:03:58 you. She's talking about the nuns and about her
00:03:58 --> 00:04:01 and John being capable. Unfortunately, many of
00:04:01 --> 00:04:04 my nuns are not so resourceful as you or I. Their
00:04:04 --> 00:04:07 innocence will kill them, which is truly a terrifying
00:04:07 --> 00:04:11 reality. I would not know. I think maybe you
00:04:11 --> 00:04:15 would. I remember watching that part of the game
00:04:15 --> 00:04:17 and a bit confused because my initial thoughts
00:04:17 --> 00:04:19 are their innocence, meaning they just have no
00:04:19 --> 00:04:22 skill set to defend themselves and that's what's
00:04:22 --> 00:04:24 going to get them killed. I know it runs much
00:04:24 --> 00:04:28 deeper than that. Part of it is that, in a way,
00:04:28 --> 00:04:31 I think it means you must be a bad person to
00:04:31 --> 00:04:34 redeem yourself in order to be a good person.
00:04:35 --> 00:04:38 Mother Superior and John are willing to shoot
00:04:38 --> 00:04:41 someone, right? Shoot a zombie to survive. But
00:04:41 --> 00:04:44 she's saying like the nuns are too innocent to
00:04:44 --> 00:04:47 know how to defend themselves, essentially. And
00:04:47 --> 00:04:48 so when John's like, oh, I wouldn't know about
00:04:48 --> 00:04:53 that. She recognizes that he knows how to survive
00:04:53 --> 00:04:56 and knows what needs to be done. I think it also
00:04:56 --> 00:05:02 is reflective for John. Maybe he was with Dutch
00:05:02 --> 00:05:05 and in that gang. Maybe he was forced to kill
00:05:05 --> 00:05:07 someone and he didn't want to, but it was like
00:05:07 --> 00:05:10 the push that if you stay innocent, you're going
00:05:10 --> 00:05:13 to die. And that was his turning point. And not
00:05:13 --> 00:05:15 even just him and the gang, but him with his
00:05:15 --> 00:05:18 family. Like he has to give up his newfound innocence
00:05:18 --> 00:05:23 in order to protect them. John asks her what
00:05:23 --> 00:05:26 she thinks is happening. And she's kind of vague
00:05:26 --> 00:05:28 about it, but thinks it's something more spiritual.
00:05:28 --> 00:05:32 She says it's a sickness of the soul. She says
00:05:32 --> 00:05:34 that if John brings her a fresh zombie, they
00:05:34 --> 00:05:36 can try some experiments and try to figure out
00:05:36 --> 00:05:40 what exactly is going on. I have to say, I appreciate
00:05:40 --> 00:05:43 her willingness to try to figure out what the
00:05:43 --> 00:05:47 heck is happening. Her confidence that she can
00:05:47 --> 00:05:51 handle one. That's pretty amazing. All right.
00:05:51 --> 00:05:54 So John heads out to find a fresh zombie. On
00:05:54 --> 00:05:57 the way, we run into Ricketts. Again, this man
00:05:57 --> 00:05:59 just loves dynamite. This is not the first time.
00:06:00 --> 00:06:01 He's going to talk about used dynamite and the
00:06:01 --> 00:06:04 short appearance he has in this game. He is so
00:06:04 --> 00:06:08 chill to just be there, unafraid of the zombies.
00:06:08 --> 00:06:11 Yeah, he seems unbothered. He also seems a little
00:06:11 --> 00:06:13 more full of himself in this game. He was more
00:06:13 --> 00:06:15 contemplative in the first game. I think he's
00:06:15 --> 00:06:19 really more like how John is relaxed. Maybe this
00:06:19 --> 00:06:21 is his natural state because in the first game,
00:06:21 --> 00:06:23 he doesn't really know John. But here it's like
00:06:23 --> 00:06:27 best pals reuniting. All right, well, John does
00:06:27 --> 00:06:30 return. to Mother Superior Calderon with a fresh
00:06:30 --> 00:06:33 zombie. She douses it in holy water, and it seems
00:06:33 --> 00:06:35 like it almost works. He almost turns back into
00:06:35 --> 00:06:38 a human. But then it kind of fails. I bet Wes
00:06:38 --> 00:06:41 Dickens would love to have his hands on the holy
00:06:41 --> 00:06:44 water. Well, after that test fails, she says
00:06:44 --> 00:06:46 she needs more time to think. But in the meantime,
00:06:46 --> 00:06:49 John could clear out the Sepulchro graveyard.
00:06:50 --> 00:06:53 Which he does, and of course, out pops from his
00:06:53 --> 00:06:57 grave, DeSanta. Kill that man. Felt kind of good
00:06:57 --> 00:06:58 to kill him, because the first time I let other
00:06:58 --> 00:07:02 people kill him. Not this time. John then returns
00:07:02 --> 00:07:04 to Ricketts with what he had asked for, which
00:07:04 --> 00:07:07 is mostly dynamite, but also Wes Dickens' bait.
00:07:07 --> 00:07:10 So with it, they make exploding zombie bait.
00:07:11 --> 00:07:13 Handy. I don't think I ever use it, though. And
00:07:13 --> 00:07:16 then John returns to Las Hermanas. Did you have
00:07:16 --> 00:07:18 any other notes on Ricketts? No, but I thought
00:07:18 --> 00:07:21 that the bottle of bait was pee, because why
00:07:21 --> 00:07:25 is it lime yellow? Looks like a Mountain Dew.
00:07:26 --> 00:07:29 John returns to Las Hermanas. He sees a woman
00:07:29 --> 00:07:32 walking out. He says to Mother Superior, who
00:07:32 --> 00:07:35 is that? He's sure he keeps seeing her around.
00:07:35 --> 00:07:38 She responds that she said she was from a holy
00:07:38 --> 00:07:43 order in Escalera. So apparently this woman has
00:07:43 --> 00:07:46 blamed the curse on Reyes, which I wouldn't be
00:07:46 --> 00:07:49 surprised. She claims he angered an ancient goddess
00:07:49 --> 00:07:52 by disturbing her crypt. So, of course, John
00:07:52 --> 00:07:56 heads out to go find Reyes. And, of course, Reyes
00:07:56 --> 00:08:00 is known for abandoning pregnant ladies. He probably
00:08:00 --> 00:08:03 got them pregnant. Disgusting. National gigolo.
00:08:03 --> 00:08:06 Yeah, exactly. Anyways, this guy's bugging me,
00:08:07 --> 00:08:09 and I'm not surprised that they blame it on him.
00:08:09 --> 00:08:12 Nor am I. I'm also not surprised to see that
00:08:12 --> 00:08:14 he's chasing this woman around the table. Even
00:08:14 --> 00:08:17 in zombie form. I love John, though. Stop that
00:08:17 --> 00:08:21 right now, Abraham. Like he's a dog. At this
00:08:21 --> 00:08:24 point, though, doesn't John know that these people
00:08:24 --> 00:08:28 are far gone from understanding human language?
00:08:29 --> 00:08:32 John seems to be altogether sort of unconcerned.
00:08:32 --> 00:08:36 Yeah. Or under -concerned with the zombies. He
00:08:36 --> 00:08:38 says again to this woman, like, haven't I seen
00:08:38 --> 00:08:40 you before? And she kind of just brushes it off.
00:08:41 --> 00:08:43 She tells him that Reyes heard of an ancient
00:08:43 --> 00:08:47 myth and tested it, saying he stole a mask from
00:08:47 --> 00:08:51 a crypt that's below the villa. How did Abraham
00:08:51 --> 00:08:55 learn about this? I don't know. Well, I might
00:08:55 --> 00:08:58 have an answer for you, potentially, maybe. So
00:08:58 --> 00:09:00 then the two of them leave to go return the mask.
00:09:00 --> 00:09:03 We walk into these underground tunnels. And she's
00:09:03 --> 00:09:06 saying weird things in the tunnels, just trailing
00:09:06 --> 00:09:09 behind John. And one of them she says is, some
00:09:09 --> 00:09:12 of them worship the moon. And the brave man has
00:09:12 --> 00:09:15 to kill everyone. And John says, hey, that's
00:09:15 --> 00:09:18 what Jack was. Who the hell are you? And she's
00:09:18 --> 00:09:21 quoting verbatim what Jack said at the beginning
00:09:21 --> 00:09:23 of the game when he's describing the book he's
00:09:23 --> 00:09:26 reading to John. So I don't know if this book
00:09:26 --> 00:09:31 maybe talks about the curse or if that's what
00:09:31 --> 00:09:33 it's indicating or if it's indicating that she
00:09:33 --> 00:09:37 was there. I don't think she was there when the
00:09:37 --> 00:09:39 book was being read, but maybe it's a well -known
00:09:39 --> 00:09:42 story. The fact that it made it into a book and
00:09:42 --> 00:09:44 it's from their ancestors, I'm not surprised
00:09:44 --> 00:09:47 it's well -known. I just think that... It's the
00:09:47 --> 00:09:51 moment where Jon has a full circle moment from
00:09:51 --> 00:09:53 the beginning of the game. So then they get to
00:09:53 --> 00:09:55 like the shrine area where the mask belongs.
00:09:56 --> 00:09:58 And she's like, put it back. And he's like, are
00:09:58 --> 00:10:01 you sure? And she just says, yes, my name is
00:10:01 --> 00:10:08 Ayatale. Ayatale. I feel bad for butchering this.
00:10:09 --> 00:10:13 I think it's Ayatale. At this point, I think
00:10:13 --> 00:10:14 we kind of figure out because he turns the mask
00:10:14 --> 00:10:16 and then we hear her voice, but she's disappeared.
00:10:17 --> 00:10:19 She says, a horse is waiting for you. You should
00:10:19 --> 00:10:24 return home. So this woman is obviously the goddess,
00:10:24 --> 00:10:27 right? Yes, the one who has the crypt and the
00:10:27 --> 00:10:30 mask belongs to her. What I don't understand
00:10:30 --> 00:10:36 is how she was able to become human in the moment
00:10:36 --> 00:10:39 with Abraham that maybe when he stole the mask,
00:10:39 --> 00:10:42 she became human to try to get it. back and that's
00:10:42 --> 00:10:45 why she can't touch the mask and it also makes
00:10:45 --> 00:10:47 sense because at one point she says these are
00:10:47 --> 00:10:49 your demons not mine and i think she's referring
00:10:49 --> 00:10:52 to these are demons of like the human race and
00:10:52 --> 00:10:55 she is not of that i agree i think she's more
00:10:55 --> 00:10:59 spiritual she was also the same girl from the
00:10:59 --> 00:11:03 church around mother superior right john says
00:11:03 --> 00:11:06 i've seen you around and he has seen her around
00:11:06 --> 00:11:10 in fact we've seen her around She was in Blackwater
00:11:10 --> 00:11:14 at the start of the game. And that group of survivors
00:11:14 --> 00:11:17 on the roof, she's just walking behind them,
00:11:17 --> 00:11:19 not saying anything. And then the other group
00:11:19 --> 00:11:22 at the barrels, she's there too. Oh. And then
00:11:22 --> 00:11:24 when he's helping the marshal, she's outside
00:11:24 --> 00:11:26 the window just like peeking in. Wait, in this
00:11:26 --> 00:11:29 game or in Red Dead Redemption? Yeah. Okay. In
00:11:29 --> 00:11:33 this game. And you don't really notice it because
00:11:33 --> 00:11:35 it's like, they're so obvious about it that you're
00:11:35 --> 00:11:38 like, oh, it's just an NPC. Yeah. just checking
00:11:38 --> 00:11:41 things out oh but yeah i love that that's just
00:11:41 --> 00:11:47 a great detail yeah john arrives home to abigail
00:11:47 --> 00:11:51 and john just sassing him and saying that she's
00:11:51 --> 00:11:54 starving but my question is how long were they
00:11:54 --> 00:11:56 alive for like how long does it take to go from
00:11:56 --> 00:12:00 the temple all the way home and would have hunger
00:12:00 --> 00:12:03 killed them i don't know my thought was like
00:12:03 --> 00:12:05 when you're a zombie You don't really need to
00:12:05 --> 00:12:07 eat to survive. You know what I mean? It's more
00:12:07 --> 00:12:10 of like a you want to eat, but you're already
00:12:10 --> 00:12:12 undead. So it's like you can't really die. So
00:12:12 --> 00:12:16 my theory is they came back to normal mode and
00:12:16 --> 00:12:20 they ate the steak on the plate. Yeah. Because
00:12:20 --> 00:12:22 the plate is empty when he gets back. Which is
00:12:22 --> 00:12:25 smart of John to have put that down for them.
00:12:26 --> 00:12:30 But then my next question is in coming back home,
00:12:30 --> 00:12:34 did he not see uncle's body? People he killed
00:12:34 --> 00:12:37 revived? How does that work? I'm assuming he
00:12:37 --> 00:12:39 has to be because we see Uncle die again later.
00:12:40 --> 00:12:43 But how does that work out for people who should
00:12:43 --> 00:12:47 have been dead who became zombies? John killed
00:12:47 --> 00:12:50 them. Are they back to dying or are they also
00:12:50 --> 00:12:55 revived? So I think what happens is he was able,
00:12:55 --> 00:12:57 because we were clearing out the graveyards by
00:12:57 --> 00:13:00 burning them. So I think the people that rose
00:13:00 --> 00:13:03 from the dead, you burn them. And then it sends
00:13:03 --> 00:13:06 them back to where it really came from. And then,
00:13:06 --> 00:13:09 yeah, I think people that died just get revived.
00:13:10 --> 00:13:12 Or people that he killed that were previously
00:13:12 --> 00:13:16 alive, I think, just get revived. Okay. Logic
00:13:16 --> 00:13:22 might be flawed, but it's a good time. They also
00:13:22 --> 00:13:26 joke about her cooking again. Yeah. Maybe women
00:13:26 --> 00:13:31 don't belong in the kitchen. Should we jump to
00:13:31 --> 00:13:37 a few months later? Seth's dumb ass has to go
00:13:37 --> 00:13:40 steal the mask. How did Seth know to find it?
00:13:40 --> 00:13:44 I don't know. This man's crazy. But maybe it
00:13:44 --> 00:13:48 was inspired by him no longer having any friends
00:13:48 --> 00:13:51 or women who pay attention to him. So then he
00:13:51 --> 00:13:53 needs to steal it so he can get attention. 100%.
00:13:53 --> 00:13:56 I mean, like we said, he was on cloud nine when
00:13:56 --> 00:13:59 the zombies were alive. So he probably just wants
00:13:59 --> 00:14:01 that life back again. Like we said, it's been
00:14:01 --> 00:14:04 a few months later. John is dead. And when the
00:14:04 --> 00:14:08 mask is taken, we see zombie John rising from
00:14:08 --> 00:14:12 his grave. In a new outfit. Mm -hmm. Which, nice
00:14:12 --> 00:14:15 detail about the outfit is you cannot wear John's
00:14:15 --> 00:14:18 hat as zombie John. Because, if you remember
00:14:18 --> 00:14:21 at the end of the main game, Jack has his hat
00:14:21 --> 00:14:25 now. Oh. So great attention to detail. Okay.
00:14:26 --> 00:14:29 Back to an early topic about the holy water that
00:14:29 --> 00:14:32 Mother Superior gives John. Do we do anything
00:14:32 --> 00:14:36 with it? You can use it in the game, but the
00:14:36 --> 00:14:39 main purpose is when John rises from the dead,
00:14:39 --> 00:14:43 that little like info box pops up and it's like
00:14:43 --> 00:14:45 John's family laid him to rest and they saw this
00:14:45 --> 00:14:48 mysterious flask of water on him, but they just
00:14:48 --> 00:14:51 left it. That's the holy water. And it insinuates
00:14:51 --> 00:14:53 because it says he's basically a zombie, but
00:14:53 --> 00:14:56 he still has the soul of a man. And the holy
00:14:56 --> 00:15:00 water is what allowed that to happen. That's
00:15:00 --> 00:15:01 pretty interesting. It's another cool little
00:15:01 --> 00:15:05 detail. Yeah. Okay. I didn't realize that. That's
00:15:05 --> 00:15:09 pretty cool. Well, that's all I have. I liked
00:15:09 --> 00:15:13 it. I liked how it was quick and effective. I
00:15:13 --> 00:15:15 know you cut a lot of the killing out, so that
00:15:15 --> 00:15:19 probably helped. It's very... again nostalgia
00:15:19 --> 00:15:24 gives me the same kind of uncharted vibes because
00:15:24 --> 00:15:27 of like the year and the style it was made i
00:15:27 --> 00:15:29 just like sassy john so much more than red dead
00:15:29 --> 00:15:31 redemption because red dead redemption was good
00:15:31 --> 00:15:34 but it wasn't and spoiler it's not going to be
00:15:34 --> 00:15:37 my favorite game of the season i don't think
00:15:37 --> 00:15:41 of all games we played but undead nightmare is
00:15:41 --> 00:15:43 probably going to be on there just because john's
00:15:43 --> 00:15:47 character has so much more death to him than
00:15:47 --> 00:15:52 just john being controlled i like this john i
00:15:52 --> 00:15:54 agree and it makes me kind of sad because i think
00:15:54 --> 00:15:58 this is more true john and we didn't get to see
00:15:58 --> 00:16:01 full true john in the main game because he was
00:16:01 --> 00:16:06 angry and being manipulated well that's all i
00:16:06 --> 00:16:10 have do you have anything else nope well merry
00:16:10 --> 00:16:13 christmas scary christmas everybody thank you
00:16:13 --> 00:16:16 for listening enjoy the rest of Your holiday.
00:16:16 --> 00:16:21 Yes. And we'll wrap things up with one final
00:16:21 --> 00:16:24 episode during the new year. I don't know how
00:16:24 --> 00:16:27 we made it this far. Me neither. I don't know
00:16:27 --> 00:16:30 how we stayed on schedule. I think we said the
00:16:30 --> 00:16:32 exact same thing last year and then the year
00:16:32 --> 00:16:35 before. I think it was, was it season two, Layers
00:16:35 --> 00:16:39 of Fear, where we made it work, but at what cost?
00:16:40 --> 00:16:43 My sanity. Pretty much. Not again, though. We
00:16:43 --> 00:16:46 have a plan. We have a real plan this time. That's
00:16:46 --> 00:16:49 a hint, actually. I have a plan. Kathy doesn't
00:16:49 --> 00:16:51 know. Oh. But you guys know. I thought I knew,
00:16:51 --> 00:16:56 but apparently not. Well, with that, have a great
00:16:56 --> 00:17:00 Christmas, everyone. Stay safe. And we'll hear
00:17:00 --> 00:17:04 from you on New Year. No, you'll hear from us
00:17:04 --> 00:17:09 on New Year's. Yeah. You'll hear from us on New
00:17:09 --> 00:17:13 Year's Day. Correct. Audacity on one, three,
00:17:13 --> 00:17:15 two, one. Thank you for listening, and don't
00:17:15 --> 00:17:17 forget to send in any questions, comments, or
00:17:17 --> 00:17:20 game suggestions. You can find all our contact
00:17:20 --> 00:17:23 info on our website, replayreviewspod .com, or
00:17:23 --> 00:17:25 contact us directly through our site. Did we
00:17:25 --> 00:17:27 completely miss something? Are we way off the
00:17:27 --> 00:17:29 mark? Or do you just want us to take a deeper
00:17:29 --> 00:17:31 look at anything from the game? We'll tackle
00:17:31 --> 00:17:33 any topics you all want to hear in our season
00:17:33 --> 00:17:35 wrap -up episode. We also have a Reddit where
00:17:35 --> 00:17:38 we discuss anything we're curious about. Go take
00:17:38 --> 00:17:39 a look and let us know what you're thinking.
00:17:39 --> 00:17:42 Our theme music is Condemned by Eggie Toast.
00:17:42 --> 00:17:44 They'll play you out and we'll be back next week.